Music

50 Coolest Album Covers

The rise of digital music threatens one of the greatest canvasses of art seen in the 20th Century - the record sleeve. Originally just a protective cover for the fragile crackly goods beneath, it soon evolved into a space for artistic expression in its own right, very often becoming as important as the music itself. Sometimes, even more so: legend has it that the cover of New Order's Blue Monday was so expensive to make that their label lost money on every copy sold.

We've picked 50 of the coolest album designs ever created; get these up on your wall as well as on your turntable.

Click on each image for more information

  • Abbey Road

    Abbey Road

    Artist: The Beatles Album: Abbey Road Designer: Kosh/Iain… More details

    Abbey Road

    Abbey Road

    Artist: The Beatles

    Album: Abbey Road

    Designer: Kosh/Iain MacMillan

    Quite simply, an utterly iconic image, with the Fab Four themselves at their coolest: John resplendent in a white suit, Paul barefoot. Perfectly in harmony, and utterly British. The crossing itself was given Grade II listed status in 2010 - there aren't many traffic artefacts that can boast that.

  • 1984

    1984

    Artist: Van Halen Album: 1984 Designer: Pete Angelus,… More details

    1984

    1984

    Artist: Van Halen

    Album: 1984

    Designer: Pete Angelus, Richard Seireeni, David Jellison, Margo Zafer Nahas

    A very naughty baby angel, with a mischievous look and cig in hand. Proof that Rock 'n' roll can corrupt anyone or anything. The Devil's got the best tunes, but this Angel's got Jump and Hot For Teacher underneath its cover.

  • Ágætis Byrjun

    Ágætis Byrjun

    Artist: Sigur Rós Album: Ágætis Byrjun Designer: Gotti… More details

    Ágætis Byrjun

    Ágætis Byrjun

    Artist: Sigur Rós

    Album: Ágætis Byrjun

    Designer: Gotti Bernhöft

    The distinctive 'Alien Angel Foetus' design was created, remarkably, by Bernhöft using a Bic ballpoint pen but, using just this simple tool, he created the perfect visual representation of Sigur Rós' unique sound: otherworldly, eerily beautiful, and delicate.

  • American IV: The Man Comes Around

    American IV: The Man Comes …

    Artist: Johnny Cash Album: American IV: The Man Comes… More details

    American IV: The Man Comes Around

    American IV: The Man Comes Around

    Artist: Johnny Cash

    Album: American IV: The Man Comes Around

    Photographer: Martyn Atkins

    All five of the covers for Johnny Cash's last era of recordings, the American series are fantastic, with the big, simple typeface utilising the strength of the legend's name. However, the coolest is for IV: The Man Comes Around, as it juxtaposes that strength with the visible weakness of the Man In Black himself: nearing death and reflecting on his life he looks downward and prepares to fade to black himself.

  • Draft 7.30

    Draft 7.30

    Artist: Autechre Album: Draft 7.30 Designer: Alex… More details

    Draft 7.30

    Draft 7.30

    Artist: Autechre

    Album: Draft 7.30

    Designer: Alex Rutterford

    Matching the music of the famously obtuse and forward-thinking electronic band, Rutterford created this piece, entitled "Theme of Sudden Roundabout''. This is suitably abstract and unpredictable, yet compelling and beautiful; a cool, modern classic.

  • Back in Black

    Back in Black

    Artist: AC/DC Album: Back in Black Designer: Bob… More details

    Back in Black

    Back in Black

    Artist: AC/DC

    Album: Back in Black

    Designer: Bob Defrin

    AC/DC's first album following the death of lead singer Bon Scott had a cover that was appropriately sparse, dark and powerful. A simple outline of the band's iconic logo together with the title in plain typography, it perfectly complemented the music itself: simple, heavy, no-nonsense, and brutally effective.

  • Bat Out of Hell

    Bat Out of Hell

    Artist: Meat Loaf Album: Bat Out of Hell Designer: Jim… More details

    Bat Out of Hell

    Bat Out of Hell

    Artist: Meat Loaf

    Album: Bat Out of Hell

    Designer: Jim Steinman/Richard Corben

    A crazy, yet brilliant cover befitting a crazy, yet album, the cover's concept was devised by Jim Steinman, the genius songwriter behind Bat Out of Hell. Naturally, it had a motorcycle erupting out of a graveyard with a giant bat looming over the tombstones in the background. Subtlety never was Meat's thing.

  • Homogenic

    Homogenic

    Artist: Björk Album: Homogenic Designer: Alexander… More details

    Homogenic

    Homogenic

    Artist: Björk

    Album: Homogenic

    Designer: Alexander McQueen

    Björk has always looked to push the envelope musically, and that adventurousness has also extended into her approach to album art. McQueen ran with the theme of Björk as a 'warrior of love', creating this incredible image. The hair alone weighed 10 kilos - sometimes one has to literally suffer for their art.

  • Blue Train

    Blue Train

    Artist: John Coltrane Album: Blue Train Designer: Reid… More details

    Blue Train

    Blue Train

    Artist: John Coltrane

    Album: Blue Train

    Designer: Reid Miles

    An iconic image of a true jazz great, the cover of Coltrane's Blue Train was supposedly inspired by Picasso's Blue Period. The photo, taken by Francis Wolff, certainly captures the sax legend in a pensive, thoughtful and, well, blue mood; basically looking like the super-cool legend he was.

  • Never Mind The Bollocks

    Never Mind The Bollocks

    Artist: The Sex Pistols Album: Never Mind The… More details

    Never Mind The Bollocks

    Never Mind The Bollocks

    Artist: The Sex Pistols

    Album: Never Mind The Bollocks

    Designer: Jamie Reed

    Reed had no interest in putting the band on the cover of the Sex Pistols' only record - "They were ugly anyway'' - so he used what he termed "cheap hype", using ransom-note style lettering, brash colours and simplicity that anyone could recreate; the perfect representation of the DIY punk aesthetic. Utterly unforgettable and utterly cool.

  • Number of the Beast

    Number of the Beast

    Artist: Iron Maiden Title: Number of the Beast Illustrator:… More details

    Number of the Beast

    Number of the Beast

    Artist: Iron Maiden

    Title: Number of the Beast

    Illustrator: Derek Riggs

    No gallery of cool album covers would be complete without an appearance from Eddie, Iron Maiden's mascot and constant companion. Everything Riggs has ever done has been incredible, but we've opted for Number of the Beast. Originally the cover was designed for a single called Purgatory so Riggs opted for a heaven and hell design, which the band liked so much that they used it for the album. Amazingly, the call for the artwork came on a Friday and Riggs submitted it the following Monday in time for their deadline - he now claims "I wish I had more time to paint it, I could have done a better job", but it still looks pretty great to us.

  • Born in the USA

    Born in the USA

    Artist: Bruce Springsteen Album: Born in the… More details

    Born in the USA

    Born in the USA

    Artist: Bruce Springsteen

    Album: Born in the USA

    Photographer: Annie Leibovitz

    The quintessential American image for the quintessential American artist, the cover for Born in the USA did exactly what it said on the tin. The American flag as the backdrop and the uniform of blue jeans, white shirt and red cap of the American blue-collar worker which The Boss celebrated in his lyrics. Shots were taken of Springsteen facing the camera but this one made the cut; Springsteen remarking, "The picture of my ass looked better than the picture of my face, so that's what went on the cover".

  • Is This It

    Is This It

    Artist: The Strokes Album: Is This It Designer: Colin… More details

    Is This It

    Is This It

    Artist: The Strokes

    Album: Is This It

    Designer: Colin Lane

    When The Strokes emerged, everything about them was cool. The music, the haircuts, the names and, of course, the album cover, which instantly became an all-time classic. The 'photoshoot' was apparently spontaneous, and featured photographer Colin Lane's then-girlfriend, who had just come out of the shower, and a glove that had been left in their apartment by a stylist. "There was no real inspiration, I was just trying to take a sexy picture" said Lane. He certainly did the job.

  • Queen II

    Queen II

    Artist: Queen Album: Queen II Photographer: Mick Rock Queen… More details

    Queen II

    Queen II

    Artist: Queen

    Album: Queen II

    Photographer: Mick Rock

    Queen enlisted Rock to capture the photograph for the cover of their second record, eager for some of the glam rock kudos that he had - following work for David Bowie, Lou Reed and Iggy Pop - to rub off on them, after their debut album had failed to take off as they had hoped. They initially thought the shot too pretentious, but Rock persuaded them to go with it - "It made them look like much bigger a deal then they were at the time, but it was a true reflection of their music" - and, of course, Rock was proven 100% correct, with the array of faces becoming truly iconic when used in the video for breakthrough opus Bohemian Rhapsody a year later.

  • Unknown Pleasures

    Unknown Pleasures

    Artist: Joy Division Album: Unknown Pleasures Designer: Joy… More details

    Unknown Pleasures

    Unknown Pleasures

    Artist: Joy Division

    Album: Unknown Pleasures

    Designer: Joy Division, Peter Saville & Chris Mathan

    Everything about this cover is cool, from the decision for a new band to not have the album title or band name on the cover, to the use of such an abstract image as the centrepiece of the design. That image is not a mountain range, or a series of waves, but a set of successive pulses from the first pulsar discovered, PSR B1919+21. Joy Division drummer Stephen Morris apparently suggested it after seeing it in the Cambridge Encyclopedia of Astronomy in 1977 and the image was lifted wholesale; thus the much-imitated image is effectively copyright-free.

  • Wish You Were Here

    Wish You Were Here

    Artist: Pink Floyd Album: Wish You Were Here Designer:… More details

    Wish You Were Here

    Wish You Were Here

    Artist: Pink Floyd

    Album: Wish You Were Here

    Designer: Storm Thorgerson

    How do you follow Dark Side of the Moon's iconic artwork? Set a man on fire, that's how. For the overall concept, Thorgerson had centred on the idea of absence, with the album shrink-wrapped in a dark colour to hide the artwork - a somewhat peverse idea when that artwork was so cool - with the gesture of a handshake between the two men being inspired by Welcome to the Machine and Have a Cigar and by the idea that people hide their true feelings (the shrinkwrap) for fear of 'getting burned' (the cover) underneath. EMI were initially unhappy with the 'non-cover' but, says Storm, "after we stuck a cow on the front of Atom Heart Mother [an earlier album] they knew that anything to do with Pink Floyd was difficult."

  • Who's Next

    Who's Next

    Artist: The Who Album: Who's Next Photographer: Ethan A.… More details

    Who's Next

    Who's Next

    Artist: The Who

    Album: Who's Next

    Photographer: Ethan A. Russell

    The Who have always made strange, but brilliant covers, and this was no exception, with the band photographed having apparently urinated on a massive stone monolith in Easington Colliery, an old coal mining town. The significance of the monolith, or the band's 'desecration' of it is unknown: perhaps it is a rejection of progress - the coal representing industrialisation; perhaps it is a reference to the monolith discovered on the moon in 2001: A Space Odyssey (director Stanley Kubrick had turned down the chance to direct the film version of the band's Tommy, so maybe this was payback); perhaps it was just a strange idea. Either way it's an extremely memorable, and cool, cover image.

  • Nite Visions

    Nite Visions

    Artist: Soulwax Album: Nite Versions Designer: Trevor… More details

    Nite Visions

    Nite Visions

    Artist: Soulwax

    Album: Nite Versions

    Designer: Trevor Jackson

    Multi-talented artist and musician Trevor Jackson (of Playgroup, amongst others) produced this beautiful piece of Peter Saville-esque graphic design for this Soulwax remix album. Eye-catching, yet subtle, it is very cool indeed.

  • Parallel Lines

    Parallel Lines

    Artist: Blondie Album: Parallel Lines Designer: Ramey… More details

    Parallel Lines

    Parallel Lines

    Artist: Blondie

    Album: Parallel Lines

    Designer: Ramey Communications/Edo Bertoglio/Peter Leeds

    Take the coolest frontwoman of all time, stick the rest of the band in cool suits, and go monochrome, with the title in lipstick-red, and you have one very cool, and thoroughly iconic album cover. The band weren't so keen however: unimpressed that it gave the impression that Blondie was effectively Debbie Harry with a backing band, they ended up parting company with their manager Peter Leeds, who had suggested it.

  • Tutu

    Tutu

    Artist: Miles Davis Album: Tutu Designer: Eiko… More details

    Tutu

    Tutu

    Artist: Miles Davis

    Album: Tutu

    Designer: Eiko Ishioka/Irving Penn

    Miles Davis was, of course, a true musical pioneer: a multi-faceted performer and songwriter, and capable of alternating between subtle beauty and extroverted flamboyance. But this superb cover image captures the man behind the music simply, and starkly. Unbelievably cool.

  • Sgt. Pepper's Lonely Hearts Club Band

    Sgt. Pepper's Lonely Hearts…

    Artist: The Beatles Album: Sgt. Pepper's Lonely Hearts Club… More details

    Sgt. Pepper's Lonely Hearts Club Band

    Sgt. Pepper's Lonely Hearts Club Band

    Artist: The Beatles

    Album: Sgt. Pepper's Lonely Hearts Club Band

    Designer: Sir Peter Blake

    An obvious choice, but perhaps we are so used to it - so heavily has it been referenced and parodied - that we have forgotten just how brilliant a cover it is. Karl Marx, Marlon Brando and Marilyn Monroe made the final cut, Hitler, Ghandhi and Jesus didn't (Hitler deemed too controversial, Jesus was too soon after Lennon's claim that the band were bigger than the Son of God and Ghandhi was removed to ensure release in India). A genuine piece of art in its own right.

  • Straight Outta Compton

    Straight Outta Compton

    Artist: N.W.A. Album: Straight Outta Compton Designer:… More details

    Straight Outta Compton

    Straight Outta Compton

    Artist: N.W.A.

    Album: Straight Outta Compton

    Designer: Helane Freeman

    N.W.A. were a force of nature when they arrived on the music scene in the late 80s, being genuinely deserving of their self-declared status as 'The World's Most Dangerous Group'. The cover to their landmark album perfectly encapsulated what they were about, the group encircling the listener, as you stare down the barrel of a gun held by Easy-E. The idyllic blue Californian sky provides the unlikely backdrop - all may have seemed sunny, but trouble was brewing in Compton.

  • Definitely Maybe

    Definitely Maybe

    Artist: Oasis Album: Definitely Maybe Designer: Brian… More details

    Definitely Maybe

    Definitely Maybe

    Artist: Oasis

    Album: Definitely Maybe

    Designer: Brian Cannon/Microdot

    Brian Cannon, as head designer at Microdot, was responsible for a series of superb designs over the course of Oasis' first three albums, never dropping below sheer brilliance. For a band that used the musical primary colours of drums, bass, guitar and vocals and chords that any learner could play, their artwork was allowed to be more avant-garde, with the covers of Wonderwall and Live Forever, in particular being daringly stark but hugely effective. The cover for Definitely Maybe was an instant classic with various pieces of symbolism artfully placed in shot and the new five coolest guys on the planet poised to take over for the next decade.

  • Mutter

    Mutter

    Artist: Rammstein Album: Mutter Designer: Dirk… More details

    Mutter

    Mutter

    Artist: Rammstein

    Album: Mutter

    Designer: Dirk Rudolph/Daniel & Geo Fuchs

    For people who weren't sure what to make of Rammstein, and who viewed them as something of a joke - with their pyrotechnic live shows and their insistence on singing in their native German - Mutter [Mother] was the album where people were forced to take them seriously. Epic, haunting music and production, and an equally haunting cover photograph of an unborn foetus taken by Daniel and Geo Fuchs.

  • Dark Side of the Moon

    Dark Side of the Moon

    Artist: Pink Floyd Album: Dark Side of the Moon Designer:… More details

    Dark Side of the Moon

    Dark Side of the Moon

    Artist: Pink Floyd

    Album: Dark Side of the Moon

    Designer: Storm Thorgerson

    Roger Waters, Pink Floyd's bassist and singer suggested to designer Storm that perhaps for the cover of Dark Side of the Moon, he might not use a photograph. He replied, “What do you mean? That’s what I do. Pictures...I don’t do graphics.” Thankfully, for the history of album cover design, he embraced the challenge laid down to him. Using twin inspirations of Floyd's live light show and a triangle - a symbol of thought and ambition - he created this cover and a piece of musical and art history.

  • The Vertigo of Bliss

    The Vertigo of Bliss

    Artist: Biffy Clyro Album: The Vertigo of Bliss Designer:… More details

    The Vertigo of Bliss

    The Vertigo of Bliss

    Artist: Biffy Clyro

    Album: The Vertigo of Bliss

    Designer: Milo Manara

    A prolific comic book writer and artist, Manera was approached by the-then cult band Biffy Clyro to provide the artwork for their second album, The Vertigo of Bliss. As befitting a band who were wilfully obtuse - see the nonsensical name, and song titles including Toys, Toys, Toys, Choke, Toys, Toys, Toys - this erotic and controversial cover only endeared them more to the small, but loyal fanbase they were beginning to cultivate.

  • The Information

    The Information

    Artist: Beck Album: The Information Designer: Various/The… More details

    The Information

    The Information

    Artist: Beck

    Album: The Information

    Designer: Various/The Listener

    How cool is this album sleeve? Well, it's as cool as you want it to be. Beck created a stir in 2006 when his album The Information was released with a cover consisting of a simple sheet of graph paper, and a set of stickers that the listener could arrange as they wished. It was declared to be 'anti-packaging' but paradoxically resulted in an infinite amount of different designs being available. Seriously cool.

  • London Calling

    London Calling

    Artist: The Clash Album: London Calling Designer: Pennie… More details

    London Calling

    London Calling

    Artist: The Clash

    Album: London Calling

    Designer: Pennie Smith/Ray Lowry

    It remains a fact of rock 'n' roll that there is nothing cooler than a) smashing your guitar, b) being able to afford to smash your guitar or best of all c) not being able to afford to smash your guitar but doing it anyway. The Clash went one better by d) smashing a bass. That thing weighs a lot. Pennie Smith's shot captured that essential sense of abandonment and loss of control, and Lowry's design, paying homage to the King of Rock 'n' Roll, Elvis's self-titled album, hammered home the point further. Often imitated, never bettered.

  • Lost Horizons

    Lost Horizons

    Artist: Lemon Jelly Album: Lost Horizons Designer: Fred… More details

    Lost Horizons

    Lost Horizons

    Artist: Lemon Jelly

    Album: Lost Horizons

    Designer: Fred Deakin/Airside

    Lemon Jelly's second album was described in some quarters as an electronica answer to Pink Floyd and it wasn't just musically. The illustrated cover looked agrarian and peaceful at first glance, but on closer inspection revealed trees shaped like spikes, arranged in a pattern evocative of barbed wire.

  • Ogdens' Nut Gone Flake

    Ogdens' Nut Gone Flake

    Artist: The Small Faces Album: Ogden's Nut Gone… More details

    Ogdens' Nut Gone Flake

    Ogdens' Nut Gone Flake

    Artist: The Small Faces

    Album: Ogden's Nut Gone Flake

    Designer: Mick Swan

    One of the very first album covers to think outside the box - literally - this record was originally released on vinyl in a giant tobacco tin, modelled on the Victorian-style containers such as Ogdens' Nut-Brown Flake, a brand of tobacco that had been produced in Liverpool since 1899. The tin opened to reveal the record along with a poster consisting of five interconnected paper circles, each one bearing the image of a band member. One Direction eat your heart out.

  • Power, Corruption & Lies

    Power, Corruption & Lies

    Artist: New Order Album: Power, Corruption and… More details

    Power, Corruption & Lies

    Power, Corruption & Lies

    Artist: New Order

    Album: Power, Corruption and Lies

    Designer: Peter Saville

    This seminal work from Saville was part of a series of incredible cover designs. Power, Corruption and Lies was the 'keystone', with the decoder for the colour-based code found in the top-right corner, representing the title and band name, being found on the back cover of the album. The same code then appeared on the iconic floppy-disc cover for Blue Monday and also Confusion. The cover is a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour with Saville explaining that they "suggested the means by which power, corruption and lies infiltrate our lives. They're seductive." A masterpiece of graphic design and undeniably cool.

  • †

    Artist: Justice Album: † Designer: Surface2Air Justice… More details

    †

    Artist: Justice

    Album:

    Designer: Surface2Air

    Justice were the coolest French duo since Daft Punk when they emerged in the mid-2000s, and their adoption of the cross as their symbol was appropriate, given the quasi-religious following they obtained as they built through the underground. The cover for their long-awaited debut † did not disappoint, with the colour scheme referencing T-Rex's Electric Warrior. C'est cool, c'est Justice.

  • The Ramones

    The Ramones

    Artist: The Ramones Album: Ramones Photographer: Roberta… More details

    The Ramones

    The Ramones

    Artist: The Ramones

    Album: Ramones

    Photographer: Roberta Bayley

    Bayley remarked that getting The Ramones to pose for a photo was 'like pullig teeth', but the world would like to thank her for persisting, as the results formed one of the most enduring and cool rock 'n' roll images of all time. The monochrome image of the ultimate punk pioneers would be replicated by countless young hopefuls over the coming years, and immortalise Johnny, Tommy, Joey and Dee Dee forever.

  • Houses of the Holy

    Houses of the Holy

    Artist: Led Zeppelin Album: Houses of the Holy Designer:… More details

    Houses of the Holy

    Houses of the Holy

    Artist: Led Zeppelin

    Album: Houses of the Holy

    Designer: Aubrey Powell/Storm Thorgerson

    Thorgerson appears once more in this list, but few can deny the validity and coolness of this effort, for the mighty Led Zeppelin. Location? The natural wonder of the Giant's Causeway in Northern Ireland. What's on those basalt columns? A series of spooky looking golden-haired children (actually created using multiple-exposure shots of just two actors) crawling up towards a distant light. Alleged inspiration? The novel Childhood's End by Arthur C. Clarke, where children climb off the end of the world. Sinister, wrapped in mythology and very, very cool - yep, that's the Zep.

  • Introspective

    Introspective

    Artist: Pet Shop Boys Album: Introspective Designer: Mark… More details

    Introspective

    Introspective

    Artist: Pet Shop Boys

    Album: Introspective

    Designer: Mark Farrow/Pet Shop Boys

    Mark Farrow has been the Pets' image man for most of their long career, with an incredible body of striking work to complement their carefully cultivated image and style. We've opted for the cover of Introspective as the coolest of them all. Whereas the art for Please and Actually was stark minimalism, on Introspective he - ironically, given the title - opted for a bold and attention-grabbing set of columns, which looked stunning in its original 12 inch form.

  • Island Life

    Island Life

    Artist: Grace Jones Album: Island Life Designer: Jean-Paul… More details

    Island Life

    Island Life

    Artist: Grace Jones

    Album: Island Life

    Designer: Jean-Paul Goude

    Grace Jones has created a series of truly incredible cover images in her career, but this one just about takes it for us. Created by her then-partner Jean-Paul Goude, the arabesque is, in fact, a montage of separate images. Such is the incredible power, beauty and, well, Grace of Jones' body that it's eminently believable that it is a real body position - but it is in fact anatomically impossible. Seriously cool.

  • Pills 'n' Thrills and Bellyaches

    Pills 'n' Thrills and Belly…

    Artist: Happy Mondays Album: Pills 'n' Thrills and… More details

    Pills 'n' Thrills and Bellyaches

    Pills 'n' Thrills and Bellyaches

    Artist: Happy Mondays

    Album: Pills 'n' Thrills and Bellyaches

    Designer: Central Station Design

    A fantastic cover, following on from Central Station's brilliant work on Bummed and the Madchester Rave On EP, they hit top form with this. The cover was a perfect representation of the band's sound: an eclectic and colourful cut 'n' paste collage of various influences thrown together but somehow creating something brilliant, exciting and cool.

  • Rage Against The Machine

    Rage Against The Machine

    Artist: Rage Against The Machine Album: Rage Against The… More details

    Rage Against The Machine

    Rage Against The Machine

    Artist: Rage Against The Machine

    Album: Rage Against The Machine

    Photographer: Malcolm Browne

    Rage Against The Machine's 1992 self-titled debut album was nothing short of incendiary - a political and radical call-to-arms soundtracked by ferocious metal riffs. The cover was no less confrontational, featuring a photo taken by Associated Press correspondent Malcolm Browne of a Vietnamese Buddhist monk, Thích Quảng Đức, burning himself to death in Saigon in 1963, protesting against the Vietnamese administration's oppression of the Buddhist religion. A truly powerful image demonstrating one man's ultimate sacrifice for his beliefs, it was both shocking and inspiring, two ingredients for an iconic album cover.

  • It's Blitz

    It's Blitz

    Artist: Yeah Yeah Yeahs Album: It's Blitz! Designer:… More details

    It's Blitz

    It's Blitz

    Artist: Yeah Yeah Yeahs

    Album: It's Blitz!

    Designer: Unknown

    Sometimes, the simplest things are the coolest, and this cover image for It's Blitz! is immediate, eye-catching and intriguing. You could say it's an egg-cellent cover. Yep, we went there.

  • Nevermind

    Nevermind

    Artist: Nirvana Album: Nevermind Designer: Robert… More details

    Nevermind

    Nevermind

    Artist: Nirvana

    Album: Nevermind

    Designer: Robert Fisher

    The iconic image of an innocent baby swimming towards a dollar bill on a fishhook is one of the most instantly recognisable in musical history, worthy of the enormously influential breakthrough album that was Nevermind. Kurt Cobain reportedly conceived the idea after watching a TV program on water births, and a photographer was duly despatched, with the dollar bill being added afterwards. The meaning behind the image has never been revealed, and never will be, adding to the intrigue, and coolness of the sleeve.

  • Ship Arriving Too Late To Save a Drowning Witch

    Ship Arriving Too Late To S…

    Artist: Frank Zappa Album: Ship Arriving Too Late to Save a… More details

    Ship Arriving Too Late To Save a Drowning Witch

    Ship Arriving Too Late To Save a Drowning Witch

    Artist: Frank Zappa

    Album: Ship Arriving Too Late to Save a Drowning Witch

    Designer: Roger Price

    Only Frank Zappa would utilise a 'droodle' (a combination of doodle, drawing and riddle) - a form of humorous cartoon popular in the 1950s and 1960s - as both the artwork and title of an album, but then Zappa never really was one for following the rules; after all, this was a man who named two of his children Moon Unit and Diva Thin Muffin Pigeen. An alternative title for this droodle was 'Mother Pyramid Feeding Her Baby'. Amazing.

  • Elvis Presley

    Elvis Presley

    Artist: Elvis Presley Album: Elvis Presley Photographer:… More details

    Elvis Presley

    Elvis Presley

    Artist: Elvis Presley

    Album: Elvis Presley

    Photographer: William V. 'Rd' Robertson

    The album that changed everything, and a photograph that captured Elvis on the cusp of greatness. It doesn't come much cooler than that. The photograph was taken at the Fort Homer Hesterly Armory in Tampa, Florida, on July 31, 1955, with Elvis aged just 20. He was towards the bottom of the bill, but he wouldn't be there for long as this album, and the accompanying cover - arguably the world's first tangible image of a rock 'n' roll star - propelled him to immortality.

  • The Freewheelin' Bob Dylan

    The Freewheelin' Bob Dylan

    Artist: Bob Dylan Album: The Freewheelin' Bob… More details

    The Freewheelin' Bob Dylan

    The Freewheelin' Bob Dylan

    Artist: Bob Dylan

    Album: The Freewheelin' Bob Dylan

    Photographer: Don Hunstein

    A cover where less is more, and is all the cooler for it. A casual photograph of Dylan with his then-muse Suze Rotolo, taken in the West Village, New York City, it was unusual at the time for being unstaged and unposed. Critic Janet Maslin described it perfectly as "a photograph that inspired countless young men to hunch their shoulders, look distant, and let the girl do the clinging".

  • Music for the Jilted Generation

    Music for the Jilted Genera…

    Artist: The Prodigy Album: Music for the Jilted… More details

    Music for the Jilted Generation

    Music for the Jilted Generation

    Artist: The Prodigy

    Album: Music for the Jilted Generation

    Designer: Stuart Haygarth

    A record of ferocious power, attitude and force and, truly, a cover to match, a metallic howl of anger addressing the Jilted Generation which Prodigy so successfully reached. A brilliant and iconic cover.

  • The Score

    The Score

    Artist: The Fugees Album: The Score Designer: Brain/Richard… More details

    The Score

    The Score

    Artist: The Fugees

    Album: The Score

    Designer: Brain/Richard O. White/Marc Baptiste

    One of the coolest hip-hop collectives of all time, at the peak of their powers, this seminal record also boasted an effortlessly cool cover, all three contributing members - Wyclef Jean, Pras Michel and Lauryn Hill - pictured individually, but together, for a sleeve with a cinematic feel; appropriate for an album that Hill described as 'an audio film'.

  • The Velvet Underground & Nico

    The Velvet Underground & Nico

    Artist: The Velvet Underground & Nico Album: The Velvet… More details

    The Velvet Underground & Nico

    The Velvet Underground & Nico

    Artist: The Velvet Underground & Nico

    Album: The Velvet Underground & Nico

    Designer: Andy Warhol

    It helped that the album itself would become a cult classic and hugely influential, but that Andy Warhol banana print could have been the cover of Jedward's debut album and still been considered an iconic sleeve image. Early copies of the album had the invitation to "Peel slowly and see" enabling the owner to peel back the banana skin to reveal a flesh-coloured banana underneath. Fruity indeed.

  • The Stone Roses

    The Stone Roses

    Artist: The Stone Roses Album: The Stone Roses Designer:… More details

    The Stone Roses

    The Stone Roses

    Artist: The Stone Roses

    Album: The Stone Roses

    Designer: John Squire

    This iconic artwork was created by John Squire, a man hugely influenced by influential abstract expressionist painter Jackson Pollock (so much so that he was also referenced in the lyrics to earlier song Going Down). Entitled Bye, Bye Badman (also the name of a song on the album), the piece referred to the May 1968 Parisian Riots - hence the coloured daubings of the French tricolore on the left (the lemons were a nod to the fact that they could be used as an antidote to tear gas). An image which has adorned countless students' bedroom walls, and is still amazingly cool today.

  • Endtroducing

    Endtroducing

    Artist: DJ Shadow Album: Endtroducing Designer:… More details

    Endtroducing

    Endtroducing

    Artist: DJ Shadow

    Album: Endtroducing

    Designer: Unknown

    Simple but elegant, this photograph of Solesides (a collective of which DJ Shadow was part) members Chief Xcel and Lyrics Born was taken at a record shop in Sacramento, California, doing what they do best: digging through records to find something exciting, or interesting, or rare, or new. A simple pleasure that sadly will probably be gone in a few years time when the last of the record shops close, but which Shadow understood entirely.

  • The Man-Machine

    The Man-Machine

    Artist: Kraftwerk Album: The Man-Machine Designer: Karl… More details

    The Man-Machine

    The Man-Machine

    Artist: Kraftwerk

    Album: The Man-Machine

    Designer: Karl Klefisch/Günther Fröhling

    The defining image of the German electronic pioneers - this perfectly captures the essence of Kraftwerk. Inspired by the 1930s Modernist movement, particularly El Lissitzky, the strict red and black colour scheme, arrangement of the band members in quasi-robotic fashion and translation of the title into various languages all adds up to a seriously cool album cover. Sehr guht, sehr cool.

  • Ladies and Gentlemen We Are Floating in Space

    Ladies and Gentlemen We Are…

    Artist: Spiritualized Album: Ladies and Gentlemen We Are… More details

    Ladies and Gentlemen We Are Floating in Space

    Ladies and Gentlemen We Are Floating in Space

    Artist: Spiritualized

    Album: Ladies and Gentlemen We Are Floating in Space

    Designer: Mark Farrow

    Pet Shop Boys' collaborator Mark Farrow once again produced the goods on this uber-cool cover for Spiritualized's opus, designed to look like prescription medication. It had a recommended dosage = "one tablet, 70 minutes" - and was thoroughly appropriate given the epic, transcendental music contained within. Box set editions of the record took the concept further, with each track on its own three-inch CD inside a foil blister pack. Special instructions for use were included, with the question "What is Spiritualized used for?" being answered: "Spiritualized is used to treat the heart and soul.". So, so cool.

Tags: Music, Art, Design

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Is 'Fancy' an acceptable Song of the Summer?

Is 'Fancy' an acceptable Song of the Summer?