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Supercut Explores Wes Anderson's Love Of Red And Yellow

Supercut Explores Wes Anderson's Love Of Red And Yellow

Supercut Explores Wes Anderson's Love Of Red And Yellow
If film directors truly are artists - and the screen their pallet - Wes Anderson is like a modern day van Gogh.
 
Not because Vincent himself was partial to bicycles, bowties, and Bill Murray (though we wouldn’t put it past him), but because each man's opus bears a unique visual style that separates them from their peers using distinct colour patterns.
 
Rishi Kenia
 
If you like Anderson's work, you'll lap this up.